{"title":"Art Surveys","description":"","products":[{"product_id":"9780955862076","title":"Russian Criminal Tattoo Encyclopaedia Volume I FUEL","description":"\u003cp\u003e\u003cspan\u003eOccasionally a book is published that reveals a subculture you never dreamt existed. More rarely, that book goes on to become a phenomenon of its own. The 2004 publication of the \u003c\/span\u003e\u003ci\u003eRussian Criminal Tattoo Encyclopaedia\u003c\/i\u003e\u003cspan\u003e was such a phenomenon, spawning two further volumes and alerting a fascinated readership worldwide to the extraordinary and hermetic world of Russian criminal tattoos (David Cronenberg, for example, made regular use of the \u003c\/span\u003e\u003ci\u003eEncyclopaedia\u003c\/i\u003e\u003cspan\u003e during the making of his 2007 movie \u003c\/span\u003e\u003ci\u003eEastern Promises\u003c\/i\u003e\u003cspan\u003e). Now, Fuel has reprinted volume one of this bestselling series, whose first edition already fetches considerable sums online. The photographs, drawings and texts published in this book are part of a collection of more than 3,000 tattoos accumulated over a lifetime by a prison attendant named Danzig Baldaev. Tattoos were his gateway into a secret world in which he acted as ethnographer, recording the rituals of a closed society. The icons and tribal languages he documented are artful, distasteful, sexually explicit and sometimes just strange, reflecting as they do the lives and traditions of Russian convicts. Skulls, swastikas, harems of naked women, a smiling Al Capone, medieval knights in armor, daggers sheathed in blood, benign images of Christ, sweet-faced mothers and their babies, armies of tanks and a horned Lenin: these are the signs by which the people of this hidden world mark and identify themselves. 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Gowrley examines the work of anonymous and unknown artists whose names have been lost to history, either by accident or through exclusion.\u003c\/p\u003e\n\u003cp\u003eFeaturing hundreds of beautiful images, Fragmentary Forms demonstrates how the use of found objects is an important characteristic of this unique art form and shows how collage is an inclusive medium that has given voice to marginalized communities and artists across centuries and cultures.\u003c\/p\u003e","brand":"Princeton University Press","offers":[{"title":"Default Title","offer_id":49428803846453,"sku":"9780691253749","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0739\/4289\/2853\/files\/9780691253749_c424f.jpg?v=1731364839"},{"product_id":"the-work-of-art-how-something-comes-from-nothing","title":"The Work of Art : How Something Comes from Nothing","description":"\u003cp\u003e\u003cb\u003eFrom former editor of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eNew York\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003emagazine Adam Moss, a collection of illuminating conversations examining the very personal, rigorous, complex, and elusive work of making art.\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv class=\"product-view\" id=\"product-view-059329758X\"\u003e\n\u003cdiv class=\"textMedium\"\u003e\n\u003cdiv\u003e\u003cspan class=\"pve_format \"\u003ePenguin Press Hardcover, 2024.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e432 pages. 9.6 x 7.7 in\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Penguin Random House","offers":[{"title":"Default Title","offer_id":49456706191669,"sku":"9780593297582","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0739\/4289\/2853\/files\/9780593297582-42104.jpg?v=1717340670"},{"product_id":"pop-yokai-contemporary-character-art-of-japan-bilingual-edition","title":"Pop Yokai : Contemporary Character Art of Japan (Bilingual edition)","description":"\u003cp\u003e\u003cspan\u003eA delightful journey into Japanese popular culture through yokai art.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eYokai are strange, mysterious creatures that populate Japanese folklore and inspire contemporary art and entertainment, such as Pokémon and the Oscar-winning film Spirited Away. 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The 25 featured artists explain, in their own words, the creative processes behind their work, what inspires them, the strategies they use to stay fresh and creative, what distinguishes their work from that of other ceramic artists and how they achieve this. Through examples of their most personal creations—objects capable of affecting us emotionally, surprising us and making us think—the artists reveal important details about their ceramic creations: how it was made, how it was shaped, which glaze and engobe coating they used to give the clay color and texture, the firing temperature of the kiln and the type of kiln chosen. The reader is provided with an illuminating glimpse into each artist’s unique creative world, where they point out the defining features of their work and reveal some of the secrets that characterize their artistic processes. 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Collaborating with printers including Kathan Brown at Crown Point Press and Michael Domberger at Edition Domberger, Parasol Press took risks on technically daring feats, including Chuck Close’s creation of the largest mezzotint ever produced, Richard Estes’s intricate photorealistic screenprints consisting of hundreds of layers of color, and a multiartist portfolio made entirely from rubber stamps.\u003c\/p\u003e\n\u003cp\u003eOver the next decades, Parasol would go on to publish innovative editions by more than one hundred artists, including Eric Fischl, Susan Rothenberg, David Salle, Julian Schnabel, and Donald Sultan. Parasol’s final project in 2014 continued to break boundaries, inviting ten award-winning physicists and mathematicians to produce a portfolio containing what they considered to be the most beautiful equations, exquisitely rendered in aquatint, like chalk on a chalkboard.\u003c\/p\u003e","brand":"W. W. 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