Gregory Crewdson: Eveningside Jean-Charles Vergne
Gregory Crewdson: Eveningside Jean-Charles Vergne
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Over the past three decades, Gregory Crewdson has been fleshing out a portrait of middle America, an America gazing wide-eyed at the glimmers of a fading dream. His cinematographically staged photos have pieced together the fragments of a twilight world tinged with numbness.
This book brings together three bodies of work made between 2012 and 2022: Cathedral of the Pines (2012–14), An Eclipse of Moths (2018–19) and Eveningside (2021–22). Envisaged as a trilogy, they provide unique insight into a decade of creation and offer a comprehensive view of the universe that has positioned Crewdson as one of the major figures of contemporary photography. This trilogy is introduced by Fireflies (1996), a pivotal series for grasping the intimate undercurrents in Crewdson’s work.
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This book brings together three bodies of work made between 2012 and 2022: Cathedral of the Pines (2012–14), An Eclipse of Moths (2018–19) and Eveningside (2021–22). Envisaged as a trilogy, they provide unique insight into a decade of creation and offer a comprehensive view of the universe that has positioned Crewdson as one of the major figures of contemporary photography. This trilogy is introduced by Fireflies (1996), a pivotal series for grasping the intimate undercurrents in Crewdson’s work.